Born in 1967. Graduated in Pure Mathematics. After his academic studies, he developed his interests in music and poetry, already shown since his childhood and developed at the beginning of the 90s, when his writings were issued in some independent culture magazines.

In 1994 he created the multi-media project Autunna et sa Rose, focusing above all his interest on the interrelationship between poetry and music composition. Around 2006 he started working intensely on video production, creating some videos in order to use them in a synchronized way during the Autunna et sa Rose shows, with the specific aim to communicate feelings in a more reflective way and different from those expressed by music.

Over the years, it is worthwhile to mention the collaboration with the American musician Steven Brown (Tuxedomoon) the music-theatre opus Sturm (2002) and the one with Ataraxia in 2005 in a live album. In the following years, some more concept works were issued, L’Art et la Mort (2006), a sort of homage to Surrealism and Artaud’s theatre, and Phalène d’onyx (2012), born from a choice among several poems written since 2004; in these works, it is worth mentioning the relevant collaboration (continuing since then)  with the excellent soprano Sonia Visentin, a renowned interpreter of contemporary music.  In 2018 a composition  for soprano and mezzosoprano, titled S’engouffrer dans ces nœuds... and already issued in the CD Entrelacs du rêve (2017), was the subject of the paper Dreamlinks: Link Theory Meets Music Composition. An Introduction to Compositional Methods Related to Primary Links, presented at the 21st Bridges Conference in Stockholm.

Currently,  the forthcoming  work entitled Stalker/Zone (SZ, LP - 100 numbered copies, out in December 2023) is issued, a sort of experimental “psychological soundtrack” for the film Stalker (1979) by Andrej Tarkovskij.